decoration decoration
Stories

GROKLAW
When you want to know more...
decoration
For layout only
Home
Archives
Site Map
Search
About Groklaw
Awards
Legal Research
Timelines
ApplevSamsung
ApplevSamsung p.2
ArchiveExplorer
Autozone
Bilski
Cases
Cast: Lawyers
Comes v. MS
Contracts/Documents
Courts
DRM
Gordon v MS
GPL
Grokdoc
HTML How To
IPI v RH
IV v. Google
Legal Docs
Lodsys
MS Litigations
MSvB&N
News Picks
Novell v. MS
Novell-MS Deal
ODF/OOXML
OOXML Appeals
OraclevGoogle
Patents
ProjectMonterey
Psystar
Quote Database
Red Hat v SCO
Salus Book
SCEA v Hotz
SCO Appeals
SCO Bankruptcy
SCO Financials
SCO Overview
SCO v IBM
SCO v Novell
SCO:Soup2Nuts
SCOsource
Sean Daly
Software Patents
Switch to Linux
Transcripts
Unix Books

Gear

Groklaw Gear

Click here to send an email to the editor of this weblog.


You won't find me on Facebook


Donate

Donate Paypal


No Legal Advice

The information on Groklaw is not intended to constitute legal advice. While Mark is a lawyer and he has asked other lawyers and law students to contribute articles, all of these articles are offered to help educate, not to provide specific legal advice. They are not your lawyers.

Here's Groklaw's comments policy.


What's New

STORIES
No new stories

COMMENTS last 48 hrs
No new comments


Sponsors

Hosting:
hosted by ibiblio

On servers donated to ibiblio by AMD.

Webmaster
US District Court: Restoration of Copyright in Public Domain Foreign Works Is Unconstitutional - Updated
Monday, April 06 2009 @ 01:05 AM EDT

The US District Court for the District of Colorado has just granted a motion for summary judgment in Golan v. Holder you will want to know about. It is a very big deal. Anthony Falzone, Executive Director of the Fair Use Project at Stanford's Center for Internet and Society, who led this effort, says, "It is the first time a court has held any part of the Copyright Act violates the First Amendment and the first time any court has placed specific constitutional limits on the government's ability to erode the public domain." I read it as saying that nothing, not any treaty, not even the Berne Convention, can trump the US Constitution.

That's what I love about it.

Attorney Ben Sheffner's Copyrights & Campaigns Blog:

This is major: a Federal District Court in Colorado has held unconstitutional a portion of the Copyright Act, holding that 17 U.S.C. §104A, which restored copyright in certain foreign works that had previously fallen into the public domain, cannot survive First Amendment scrutiny. The government defended the statute by arguing that such restoration was required by Article 18 of the Berne Convention, the international copyright treaty that the US joined in 1988, but the court in Golan v. Holder today held that the First Amendment trumps such treaty obligations, and that the statute impermissibly interferes with the free speech rights of the plaintiffs, "artisans and businesses that rely upon works in the public domain for their trade."

The same District Court had previously upheld Section 104A against First Amendment challenge, but was ordered to reconsider by the Tenth Circuit in Golan v. Gonzales, 501 F.3d 1179 (10th Cir. 2007), which held that the removal of works from the public domain "must be subject to First Amendment review" because "§ 514 has altered the traditional contours of copyright protection in a manner that implicates plaintiffs’ right to free expression."

Here's the decision [pdf] from the US Court of Appeals for the Tenth Circuit, that sent the case, then called Golan v. Gonzales, back to the District Court in September of 2007. Yes. It's the same appeals court that will hear SCO's appeal in SCO v. Novell. Sheffner predicts this is not the end, that the government will feel it must try to overturn this decision and will take this to the Supreme Court if necessary. But for now, those that fought hard for this are happy indeed.

Larry Lessig:

I am very happy and very very proud to report a big victory in Golan v. Holder. As you may recall, Golan was filed at the time Eldred v. Ashcroft was in the Supreme Court. The case challenged the URAA, which restored the copyright to works in the public domain. We lost in the district court, but then the CA10 reversed that decision, holding (for the first time ever) that the First Amendment restrained Congress when it changed the "traditional contours of copyright" beyond those explicitly mentioned in Eldred (idea/expression dichotomy and fair use). The CA10 sent the case back down to the district court, and Friday, Judge Babcock granted our motion for summary judgment, holding that the URAA violated the First Amendment to the extent it restored copyright against parties who had relied on works in the public domain.

Falzone:

We're thrilled to report the Court has upheld our challenge to the constitutionality of the URAA's restoration of copyrights in public domain works. Today, the Court granted our summary judgment motion, holding the URAA violates the First Amendment insofar as it suppresses parties' rights to keep using works they exploited when those works were in the public domain.

Needless to say, this is a big deal. It is the first time a court has held any part of the Copyright Act violates the First Amendment and the first time any court has placed specific constitutional limits on the government's ability to erode the public domain. It is also the culmination of a lot of hard work by a lot of CIS lawyers dating back to 2001, including myself, Larry Lessig, Chris Sprigman, Edward Lee, Jennifer Granick, Lauren Gelman, Colette Vogele, Julie Ahrens, Chris Ridder, Sarah Pearson and others.

I expect there will be more to come, including a return to the Tenth Circuit. Look for updates here. In the meantime, Judge Babcock's order is attached below. [Attachment.]

Of course, this is a complex area of law. Stanford has an entire page on Public Domain Trouble Spots, and here's the one on the list that applies to this case:
6. Works First Published Outside the U.S. Some works first published outside the United States have been resurrected from the public domain. As a result of international treaties signed in the 1990s, public domain works that meet certain qualifications are now protected.
Not any more! Well, we'll have to stay tuned for the final chapter. People write entire books about public domain. And this is a victory, but not necessarily the final word.

[ Update: I see some comments asking why this is such an important decision. So, here's a bit of background from Christopher Sprigman of the U. of Virginia Law School, as well as why he sees it as significant:

Some background. The Golan case challenges the constitutionality of the Uruguay Round Agreements Act, by which, among other things, Congress removed thousands of books, films, songs, and other creative works from the public domain and "restored" them to copyright. The Golan plaintiffs, a group of conductors and film distributors who used these public domain works, challenged Congress's depredation of the public domain. The primary ground for the challenge was that Congress, by removing works from the public domain, departed from the "traditional contours of copyright protection" in a way that limited free speech in violation of the First Amendment. Limited how? By making the use of the former public domain works subject to the approval of the owners of the "restored" copyrights. By, in short, imposing copyright burdens on free speech where none had existed before.

The Golan plaintiffs' First Amendment theory was built on something the Supreme Court said in Eldred v. Ashcroft. Eldred, of course, was the case where the Supreme Court affirmed Congress's 20-year extension of already-existing copyrights. The Court rejected a First Amendment challenge to that change to copyright, holding that a long history of copyright extensions meant that Congress's latest extension was constitutional. But the Court issued an important caveat. Where Congress does not act in accordance with history, but instead alters copyright's "traditional contours", courts must conduct a more searching First Amendment review to ensure that whatever Congress has done to the copyright law -- which is, of course, a regulation of speech -- does not burden speech in ways that cannot be justified.

Until today, we haven't known very much about what the "traditional contours" test meant. Now we have some data, and it's possible -- not likely, mind you, but tantalizingly possible! -- that we've seen the first indication that courts will take a more active role in ensuring that Congress's copyright lawmaking respects free speech. The 10th Circuit ruled in Golan that Congress's removal of works from the public domain departed from copyright's traditional contours, and imposed significant burdens on free speech. I won't get into every detail of the opinion in this blog post -- but suffice to say that the 10th Circuit understood the very important issues at stake, and resolved them in a way that will with luck start to bring copyright into line with all other forms of speech regulation -- i.e., when Congress legislates, it had better think hard about the Constitution.

You can find the historical documents from Golan v. Ashcroft here and information about Eldred v. Ashcroft here and the filings here, if you'd like to dig a bit deeper.

And here's another view from Jack Balkin, that the case could have implications for the DMCA, although he presents a possible counterargument:

This decision is quite important because it builds out from Eldred-- a case that most people saw as a loss-- the beginnings of a first amendment jurisprudence that would limit copyright. Larry Lessig, who represented plaintiffs in the case, is quite right that this is a very big deal. The court's decision and its reasoning are a significant breakthrough. Everyone who cares about freedom of speech-- and free culture-- should be happy about this decision.

At the same time, we should be wary of some possible future pitfalls. The first potential pitfall comes from the fact that the court had to use a test of tradition taken from Eldred. At first glance, that test-- the "traditional contours of copyright law"-- might seem to be of great help to critics of expansive copyright law. That is because copyright law has become far more expansive than it was at the founding in almost every area. The problem is that if we interpret the "traditional contours of copyright law" to require only that copyright laws basically resemble previous versions, only with longer terms and more constricted exemptions, the "traditional contours" test will not do much work. ...

The best cases for using Golan's analysis are those where, as in Golan itself, material is taken out of the public domain, or cases like the DMCA, where Congress creates a brand new set of rights that have no analogy to a pre-digital world. ... Defenders of paracopyright laws like the DMCA could argue that the very fact that statutes like the DMCA have no analogy in a pre-digital world means that there no "traditional contours of copyright" have been violated by such statutes.

In short, it matters if you think copyright law has gone overboard, and it matters if you think Congress et al need to give some thought to the Constitution when passing laws and signing treaties. If you'd like to see some who were appalled or puzzled by the 10th Circuit Court of Appeals decision, probably the best source would be William Patry's comment, back when he was still blogging. End update.]

Here is the decision as text. As always, this is to help you easily read it, search it by keyword, and use speech readers, but it's not official. For anything that matters, go by the PDF.

****************************

IN THE UNITED STATES DISTRICT COURT
FOR THE DISTRICT OF COLORADO
LEWIS T. BABCOCK, JUDGE

Civil Case No. 01-cv-01854-LTB

LAWRENCE GOLAN;
ESTATE OF RICHARD KAPP;
S.A. PUBLISHING CO., INC., d/b/A ESS.A.Y. RECORDINGS;
SYMPHONY OF THE CANYONS;
RON HALL, d/b/A FESTIVAL FILMS; and
JOHN McDONOUGH, d/b/a TIMELESS VIDEO ALTERNATIVES INTERNATIONAL,

Plaintiffs,

v.

MARYBETH PETERS, in her official capacity as Register of Copyrights, Copyright Office of the United States,

Defendants.

____________________

MEMORANDUM OPINION AND ORDER

____________________

Babcock, J.

This case--as now presented--concerns the validity of Section 514 of the Uruguay Round Agreements Act ("URAA"), 17 U.S.C. § 104A. Section 514 restores the United States copyrights of foreign authors who lost those rights to the public domain for any reason other than the expiration of a copyright term. Plaintiffs filed this suit in September 2001, asserting claims challenging Section 514--as well as the Copyright Term Extension Act of 1998--under the Copyright Clause and the First Amendment. This Court granted summary judgment in favor of the Government or dismissal as to each of those claims. [Docket ## 28, 109]. On appeal, the Tenth Circuit affirmed this Court's rulings as to Plaintiffs' Copyright Term Extension Act claims and Plaintiffs' Copyright Clause claims, but reversed this Court's rulings as to Plaintiff's First

Amendment challenge to Section 514. See Golan v. Gonzales, 501 F.3d 1179 (10th Cir. 2007). The Tenth Circuit remanded to this Court with instructions to assess whether Section 514--which the Tenth Circuit determined interfered with Plaintiffs' "First Amendment interest in using works in the public domain"--passed First Amendment scrutiny. The parties have filed cross-motions for summary judgment on this issue [Docket ## 147, 148] as well as responses/replies [Docket ## 154, 155]. An amicus brief was filed in support of the Government [Docket # 152]. The motions are adequately briefed and oral argument would not materially assist their determination. After consideration of the motions, the papers, and the case file, and for the reasons stated below, I GRANT Plaintiffs' motion [Docket # 148] and DENY the Government's motion [Docket # 147].

I. BACKGROUND

Plaintiffs in this case represent a broad range of artisans and businesses that rely upon works in the public domain for their trade. As relevant to the issue presented here, these works were produced by foreign authors and, for varying reasons--including the authors' failure to renew the copyrights with the Copyright Office, or failure to include a notice of copyright on the copyrighted works--did not enjoy copyright protection in the United States prior to the enactment of the URAA in 1994. Section 514 of the URAA ostensibly implements Article 18 of the Berne Convention for the Protection of Literary and Artistic Works--an international treaty first enacted in 1886, but not joined by the United States until 1988. Article 18 requires member nations to provide copyright protection to works by foreign authors so long as the term of copyright protection in the country of origin has not expired as to a specific work. See Berne Convention, Art. 18. Section 514 of the URAA--by granting copyright protection to these

2

foreign authors--removed from the public domain the works upon which Plaintiffs relied. As the subject works are now protected by United States copyright laws, Plaintiffs find themselves in the position of having to either pay for their previously royalty-free use, or cease using the works altogether. Plaintiffs argue their First Amendment rights were violated by Congress when these works were removed from the public domain.

On April 20, 2005, I granted summary judgment to the Government on Plaintiffs' First Amendment claims, holding: "I see no need to expand upon the settled rule that private censorship via copyright enforcement does not implicate First Amendment concerns." [Docket # 109]. On appeal, the Tenth Circuit reversed, holding: "since § 514 has altered the traditional contours of copyright protection in a manner that implicates plaintiffs' right to free expression, it must be subject to First Amendment review." Golan, 501 F.3d at 1197.

II. TENTH CIRCUIT OPINION

The Tenth Circuit began its review with an outline of basic principles of copyright law and how those principles interconnect with the First Amendment:

Under the Copyright Clause, Congress may "promote the Progress of Science and useful Arts, by securing for limited Times to Authors . . . the exclusive Right to their [respective] Writings." U.S. CONST. art. I, § 8, cl. 8. . . . "[O]nce the . . . copyright monopoly has expired, the public may use the . . . work at will and without attribution." Dastar Corp. v. Twentieth Century Fox Film Corp., 539 U.S. 23, 3334 (2003). These imaginative works inspire new creations, which in turn inspire others, hopefully, ad infinitum. This cycle is what makes copyright "the engine of free expression." Harper & Row Publishers, Inc. v. Nation Enters., 471 U.S. 539, 558 (1985).

Congress's power to bestow copyrights is broad. See Eldred v. Ashcroft, 537 U.S. 186, 205 (2003) ("[I]t is Congress that has been assigned the task of defining the scope of the limited monopoly that should be granted to authors . . . in order to give the public appropriate access to their work product.") (internal quotation marks omitted). But it is not boundless. . . . The Supreme Court has recognized that the First Amendment can limit Congress's power under the Copyright

3

Clause. Id. at 21921 (indicating that copyright acts are not "categorically immune from challenges under the First Amendment") (internal quotation marks omitted). The Court has emphasized, however, that "copyright's built-in First Amendment accommodations"--the idea/expression dichotomy and the fair use defense--generally protect the public's First Amendment interest in copyrighted works. Id. at 21920.

Although these built-in free speech safeguards will ordinarily insulate legislation from First Amendment review, the Eldred Court indicated that such review is warranted when an act of Congress has "altered the traditional contours of copyright protection." Id. at 221. The Court did not define the "traditional contours of copyright protection." However, as we discuss in detail below, one of these traditional contours is the principle that once a work enters the public domain, no individual--not even the creator--may copyright it.

Golan, 501 F.3d at 118384.

In reaching its conclusion that Section 514--by removing works from the public domain--"altered the traditional contours of copyright protection," the court first noted "the bedrock principle of copyright law that works in the public domain remain there." See Golan, 501 F.3d at 1187. Indeed, the primary purpose of the Copyright Clause is to incentivize authors to produce works to benefit the public good. See id. at 1188. Once a work is created, a copyright attaches that allows the author to restrict the use of the work for the duration of the copyright period--at which point the work enters the public domain for the free use of anyone. See id. at 1189. This incentive drives "the engine of free expression" enshrined in the First Amendment. See id. at 1188.

Section 514 altered the traditional copyright scheme such that "the copyright sequence no longer necessarily ends with the public domain: indeed, it may begin there." See id. at 1189. Such an alteration is inconsistent with the copyright scheme as designed by the Framers and as implemented by Congress in the ensuing years. See id. at 119092. Accordingly, "[Section] 514 deviates from the time-honored tradition of allowing works in the public domain to stay there."

4

Id. at 1192.

Having established that Section 514 "altered the traditional contours of copyright protection"--therefore requiring First Amendment review, see Eldred v. Ashcroft, 537 U.S. 186, 221 (2003)--the Tenth Circuit turned to the question of how the alteration affected the First Amendment rights of Plaintiffs. The court first noted that Plaintiffs had, subject to constitutionally permissible restraints, a non-exclusive right to "unrestrained artistic use of these works" that was protected by the First Amendment. See Golan, 501 F.3d at 1193. Section 514 interfered with this right by making the cost of using the works prohibitive. See id. Distinguishing Plaintiffs' case from that at issue in Eldred, the court noted that the Eldred plaintiffs did not have a right to copy the works at issue. See id. ("As the Eldred Court observed, the most the Eldred plaintiffs could show was a weak interest in 'making other people's speeches.' By contrast, the speech at issue here belonged to plaintiffs when it entered the public domain."). The court concluded "that once the works at issue became free for anyone to copy, plaintiffs in this case had vested First Amendment interests in the expressions, and § 514's interference with plaintiff's rights is subject to First Amendment scrutiny." Id. at 1194.

Finally, the Tenth Circuit considered whether "copyright's built-in First Amendment accommodations"--the idea/expression dichotomy and the fair use defense--were, when combined with the additional protections explicitly included in Section 514, adequate to protect Plaintiffs' First Amendment interests. Addressing the idea/expression dichotomy, the court found the rule to be inapplicable to Plaintiffs' case because Plaintiffs' interest was in the expressions themselves, not merely the underlying ideas. See id. at 1194. Addressing the fair use doctrine, the court found the doctrine to be an insufficient substitute for the unlimited use

5

allowed once a work was in the public domain. See id. at 1195. The court then held Section 514's "supplemental protections"--which include a one-year safe harbor provision and a provision allowing the continued use of derivative works, if a reasonable royalty is paid--inadequate to insulate Section 514 from a First Amendment challenge. See id. at 1196; see also Eldred, 537 U.S. at 221. The court remanded with instructions to apply a First Amendment analysis.

III. STANDARD OF REVIEW

A. First Amendment Review

As mandated by the Tenth Circuit, the initial inquiry in my First Amendment analysis is "whether § 514 is content-based or content-neutral." See Golan, 501 F.3d at 1196. Content- based restrictions on speech are those which "suppress, disadvantage, or impose differential burdens upon speech because of its content." Grace United Methodist Church v. City of Cheyenne, 451 F.3d 643, 657 (10th Cir. 2006) (internal citations and quotations omitted). These restrictions "are subject to the most exacting scrutiny." See id. If Section 514 is a content-based restriction, I must consider whether the Government's interest in promulgating the restriction is truly "compelling" and whether the Government might achieve the same ends through alternative means that have less of an effect on protected expression. See United States v. Playboy Entm't Group, Inc., 529 U.S. 803, 813 (2000). By contrast, "[a] regulation that serves purposes unrelated to the content of expression is deemed neutral, even if it has an incidental effect on some speakers or messages but not others." Ward v. Rock Against Racism, 491 U.S. 781, 791 (1989). A content-neutral restriction must be "narrowly tailored to serve a significant governmental interest." Id. (quoting Clark v. Cmty. for Creative Non-Violence, 468 U.S. 288,

6

293 (1984)).

The parties both argue Section 514 is content-neutral. I agree. A restriction will be considered content-neutral when it can be justified without reference to the content of the speech restricted. See Boos v. Barry, 485 U.S. 312, 320 (1988) (citing City of Renton v. Playtime Theatres, Inc., 475 U.S. 41, 48 (1986); Virginia State Bd. of Pharmacy v. Virginia Citizens Consumer Council, Inc., 425 U.S. 748, 771 (1976)). Here, the speech restricted is a general category of speech--namely, speech created by foreign authors. The justification for the restriction lies in the protection of the authors' interests in the expressions themselves, not the ideas the works encompass. Accordingly, Section 514 must be reviewed under the "content-neutral" standard. See Turner Broad. Sys., Inc. v. F.C.C., 512 U.S. 622, 643 (1994) ("Turner I").

"A content-neutral regulation [of speech] will be sustained under the First Amendment if it advances important governmental interests unrelated to the suppression of free speech and does not burden substantially more speech than necessary to further those interests." Turner Broad. Sys., Inc. v. F.C.C., 520 U.S. 180, 189 (1997) ("Turner II"). While a content-neutral restriction must be "narrowly tailored to serve a significant government interest" unrelated to the suppression of free speech, it "need not be the least restrictive or least intrusive means of doing so." See Ward, 491 U.S. at 791, 798. The requirement of narrow tailoring is satisfied so long as the restriction promotes a substantial government interest that would be achieved less effectively absent the restriction. See id. at 79899.

7

Review of Congress's judgment is deferential; the only relevant question is whether, in formulating its judgment, Congress has drawn reasonable inferences based on substantial evidence. See Turner I, 520 U.S. at 195. "So long as the means chosen are not substantially broader than necessary to achieve the government's interest," the restriction will not be invalid simply because "the government's interest could be adequately served by some less-speech-restrictive alternative." Ward, 491 U.S. at 800.

When determining whether a regulation of speech is "substantially broader than necessary to achieve the government's interest," the Court asks whether the regulation suppresses a substantial amount of protected speech judged in relation to the Government's legitimate interest. See Virginia v. Hicks, 539 U.S. 113, 11819, 12223 (2003). This requires a balancing of Plaintiffs' interests with those of the Government. See United States v. Williams, 128 S. Ct. 1830, 1838 (2008). The first step is to construe the challenged statute to determine the scope of the speech the statute affects. See id. The second step is to determine the scope of protected expressive activity necessarily suppressed by the statute's terms. See id. at 1841. If the statute "leaves unprotected a substantial amount of speech not tied to the Government's interest . . . it is overbroad and unconstitutional." Ashcroft v. Free Speech Coalition, 535 U.S. 234, 256 (2002).

B. Summary Judgment

In a motion for summary judgment, the moving party "always bears the initial responsibility of informing the district court of the basis for its motion, and identifying those portions of 'the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any,' which it believes demonstrate the absence of a genuine issue

8

of material fact." Celotex Corp. v. Catrett, 477 U.S. 317, 323 (1986) (quoting FED. R. CIV. P. 56(c)). If this burden is met, then the non-moving party has the burden of showing there are genuine issues of material fact to be determined. See id. at 322. It is not enough that the evidence be merely colorable; the non-moving party must come forward with specific facts showing a genuine issue remains. See id.; Matsushita Elec. Indus. Co., Ltd. v. Zenith Radio Corp., 475 U.S. 574, 587 (1986). A fact is material if it might affect the outcome of the suit under the governing substantive law. Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 255 (1986). I shall grant summary judgment, therefore, only if the pleadings, depositions, answers to interrogatories, admissions, or affidavits--construed viewing the evidence in the light most favorable to the non-moving party and drawing all reasonable inferences in that party's favor--show there is no genuine issue of material fact and the moving party is entitled to judgment as a matter of law. Mares v. ConAgra Poultry Co., Inc., 971 F.2d 492, 494 (10th Cir. 1992); Lucas v. Mountain States Tel. & Tel., 909 F.2d 419, 420 (10th Cir. 1990); FED. R. CIV. P. 56(c).

In a motion for summary judgment, I view the evidence "through the prism of the substantive evidentiary burden." Liberty Lobby, supra, 477 U.S. at 254. The inquiry is based on "the quality and quantity of evidence required by the governing law" and "the criteria governing what evidence would enable the jury to find for either the plaintiff or the defendant." Id. Where--as here--the parties file cross-motions for summary judgment, I am entitled to assume that no evidence needs to be considered other than that filed by the parties. See Atlantic Richfield Co. v. Farm Credit Bank of Wichita, 226 F.3d 1138, 1148 (10th Cir. 2000). Nonetheless--as cross-motions for summary judgment are to be treated separately--the denial of

9

one does not necessarily require the grant of the other. See id.

Although this case is presented in the light of summary judgment, the Court must still accord substantial deference to the predictive judgment of Congress. See Turner I, 512 U.S. at 666. In this context, the question is whether Congress based its decision on reasonable inferences and substantial evidence. See id. As long as there is no material dispute that there is substantial evidence from which Congress could have drawn a reasonable inference, then the government is entitled to summary judgment even if the evidence could reasonably lead to an inconsistent conclusion. See Turner II, 520 U.S. at 1196. If, however, Plaintiffs show the Government is unable to proffer such evidence, Plaintiffs are entitled to summary judgment. See Edenfield v. Fane, 507 U.S. 761, 77071 (1993); Sable Commc'ns of California, Inc. v. F.C.C., 492 U.S. 115, 12930 (1989).

IV. ANALYSIS

The burden is on the Government to show it has a significant interest that is protected by limiting Plaintiffs' speech and that Section 514 does not burden substantially more speech than necessary to further the Government's interest. See Turner I, 512 U.S. at 66465. The Government proffers three interests allegedly served by Section 514: (1) Section 514 brings the United States into substantial compliance with its international treaty obligations under the Berne Convention; (2) Section 514 helps protect the copyright interests of United States authors abroad; and (3) Section 514 corrects for historic inequities wrought on foreign authors who lost their United States copyrights through no fault of their own.

A. Compliance with the Berne Convention

It is not disputed that the Berne Convention requires the restoration of copyrights to

10

foreign authors. While compliance with international treaty obligations represents an important governmental interest, "[a]t the same time, it is well established that 'no agreement with a foreign nation can confer power on the Congress, or on any other branch of Government, which is free from the restraints of the Constitution.'" Boos, 485 U.S. at 324 (quoting Reid v. Covert, 354 U.S. 1, 16 (1957)); see Gonzales v. O Centro Espirita Beneficente Uniao do Vegetal, 546 U.S. 418, 438 (2006). Accordingly, I must ask whether Section 514 meets the requirements of the Berne Convention in a manner that is not "substantially broader that necessary to achieve the government's interest." See Ward, 491 U.S. at 800. In determining whether Section 514 is "substantially broader than necessary," I must balance the Government's interest against that of Plaintiffs. See Williams, 128 S. Ct. at 1838.

As noted by the Tenth Circuit, Section 514 was inconsistent with the United States copyright scheme as designed by the Framers and as implemented by Congress in the ensuing years. See Golan, 501 F.3d at 119092. Moreover, Section 514 interfered with Plaintiffs' vested First Amendment rights to unrestrained use of the restored works. See id. at 119394. The Government argues under Eldred that Plaintiffs have a diminished interest in the restored works because Plaintiffs were not the original authors. See Eldred, 537 U.S. at 221 ("The First Amendment securely protects the freedom to make--or decline to make--one's own speech; it bears less heavily when speakers assert the right to make other people's speeches."). The Tenth Circuit, however, was not persuaded by this argument and distinguished Plaintiffs' case from that at issue in Eldred, holding: "plaintiffs' First Amendment interests in public domain works are greater than the interests of the Eldred plaintiffs. The Eldred plaintiffs did not--nor had they ever--possessed unfettered access to any of the works at issue there. . . . By contrast, the speech

11

at issue here belonged to plaintiffs when it entered the public domain." See Golan, 501 F.3d at 1193. Unlike the plaintiffs in Eldred, therefore, Plaintiffs here did not have an amorphous and prospective "trivial interest" in property that belonged to someone else, but instead had "vested First Amendment interests in the expressions" contained in the works themselves. See id. at 1188, 1194. The Tenth Circuit considered Plaintiffs' interests "near the core of the First Amendment." See id. at 1193. The impact of removing the restored works without accommodating Plaintiff's reliance interests is substantial. See Golan, 501 F.3d at 1182 (noting the added expense to Plaintiffs of complying with Section 514 made the exercise of their First Amendment rights costs prohibitive). Accordingly, I do not find the Government's argument persuasive and conclude Plaintiffs' interests in copying the works at issue is deserving of full First Amendment protection.

Having determined the scope of the Government's interest and Plaintiffs' interest, I now turn to the question whether Section 514 "leaves unprotected a substantial amount of speech not tied to the Government's interest." See Ashcroft, 535 U.S. at 256. As noted by the Government, Plaintiffs' First Amendment speech is not entirely unprotected under Section 514. Plaintiffs--in addition to the protections afforded under the "traditional contours of copyright protection"--are immunized from liability for acts of copying occurring before restoration and are entitled to continue copying so long as the original author does not file notice of intent to enforce his or her copyrights. Plaintiffs are also entitled to sell or otherwise use copies of restored works for one year, and may continue to exploit derivative works forever, so long as a reasonable royalty is paid. What speech remains unprotected under Section 514, therefore, is any speech that involves copying more than one year after notice has been filed, and any derivative works made after

12

notice is filed and without payment of a royalty. When compared to the limited amount of speech that remains protected under Section 514, other than speech already protected by the idea/expression dichotomy and the fair use doctrine--speech that the Government concedes cannot be limited by its interest in complying with the Berne Convention--the amount unprotected is clearly "a substantial amount." See Ashcroft, 535 U.S. at 256. I therefore ask whether the unprotected speech is "not tied to the Government's interest" in complying with the Berne Convention. See id.

I begin by noting that the Berne Convention does not provide any direct reference to the question at issue here: whether or how member nations should accommodate "reliance parties"--namely, those persons with a vested interest in previously public-domain works--once the affected works are removed from the public domain and placed into the domain of copyright protection. To the extent Berne addresses this issue at all, the determination is left to the member nations: "respective countries shall determine, each in so far as it is concerned, the conditions of application of this principle." See Berne Convention, Art. 18(3).

I read Article 18, Section 3, as a grant of discretion to member nations to implement the Berne Convention's directive--that the copyrights of foreign authors be restored so long as the term of copyright protection in the country of origin has not expired--in light of each member nation's established corpus of copyright law. Such discretion is not limited by Article 18, Section 3, so long as the directive is applied within the bounds of existing law. See Fiscor Report, Part E [Docket # 147-4]. In the United States, for example, it is not disputed that the restored copyrights must still be subject to the well-established First Amendment exceptions afforded by the fair-use doctrine and the idea/expression dichotomy. See Golan, 501 F.3d at

13

119495.

While the Government proffers an expert opinion stating that Article 18, Section 3, requires such accommodations be temporary in nature--see Fiscor Report, Part E [Docket # 147-4]--nothing in the Berne Convention indicates this is necessarily the case. Several member nations--including Germany, Hungary, the United Kingdom, Australia, and New Zealand--provide accommodations that are temporally permanent so long as certain conditions are met. See Ficsor Report, Part F [Docket # 147-4]. While these member nations imposed various schemes limiting the rights of reliance parties, none of these nations restored copyrights in the subject works in a manner that was equivalent--either in force or in time--to copyrights in those works that had not fallen into the public domain. See Ficsor Report, Part F [Docket # 147-4].

Congress itself--by affording reliance parties certain protections in Section 514 that went beyond those normally required to accommodate copyright law and First Amendment concerns--implicitly recognized that Article 18, Section 3, does not require the full restoration of equivalent copyrights. See 17 U.S.C. § 104A(d). Some of these protections--such as allowing reliance parties to use restored works for an unlimited period of time if the author fails to file a notice of intent to enforce his copyright, and allowing reliance parties to use derivative works for so long as a reasonable royalty is paid to the original author--are temporally permanent in nature. Although, as noted by the Tenth Circuit, none of these provisions are adequate to fully protect Plaintiffs' First Amendment interests, they provide some protection beyond that which a normal copyright would allow. See Golan, 501 F.3d at 119394. By enacting such protections, Congress demonstrated it understood the broad latitude provided

14

member nations to protect reliance parties--even for an unlimited amount of time.

In light of the discretion afforded it by Article 18, Section 3, Congress could have complied with the Berne Convention without interfering with a substantial amount of protected speech--for example, by permanently "excepting parties, such as plaintiffs, who have relied upon works in the public domain," see Golan, 501 F.3d at 1196; see also Ridder Dec. Ex. A [Docket # 150-9]. Accordingly--to the extent Section 514 suppresses the right of reliance parties to use works they exploited while the works were in the public domain--Section 514 is "not tied to the Government's interest" in complying with the Berne Convention. See Ashcroft, 535 U.S. at 256. Section 514 is therefore "substantially broader than necessary to achieve the government's interest." See Ward, 491 U.S. at 800. Resolution of this question of law shows summary judgment in favor of Plaintiffs and against the Government is appropriate on this issue. See Mares, 971 F.2d at 494; FED. R. CIV. P. 56(c).

B. Protection of United States Authors' Copyrights Abroad

Although the Government argues Section 514 serves the additional important Government interest of protecting the copyrights of United States authors abroad, this justification is largely intertwined with its argument regarding compliance with Article 18 of the Berne Convention--a justification which has been rejected as insufficient to justify the infringement of Plaintiffs' First Amendment rights above. It is unnecessary to readdress these concerns here.

In addition to Article 18, however, the Government also argues Section 514 is necessary to protect United States authors from reprisal under Article 6. Article 6 states:

Where any country outside the Union fails to protect in an adequate manner the works of authors who are nationals of one of the countries of the Union, the latter

15

country may restrict the protection given to the works of authors who are, at the date of the first publication thereof, nationals of the other country and are not habitually resident in one of the countries of the Union. If the country of first publication avails itself of this right, the other countries of the Union shall not be required to grant to works thus subjected to special treatment a wider protection than that granted to them in the country of first publication.
By its own terms, Article 6 allows sanctions only against a "country outside the Union [that] fails to protect in an adequate manner the works of authors who are nationals of one of the countries of the Union." (emphasis added). As the United States is "one of the countries of the Union," Article 6 provides no basis for sanctions to be levied against United States authors. Accordingly, compliance with Article 6 cannot provide an important Government interest. See Turner I, 512 U.S. at 664 ("when the Government defends a regulation on speech as a means to . . . prevent anticipated harms, it must . . . demonstrate that the recited harms are real, not merely conjectural").

The Government next appears to argue that Section 514--to the extent it suppresses the right of reliance parties to use works they exploited while the works were in the public domain--serves an important Government interest because it protects American authors whose works had entered the public domain of other countries from having those public domain works exploited by reliance parties in those countries. Although the precise contours are not clear, the essence of this argument appears to be an assumption that Section 514 will encourage other countries to limit the rights of reliance parties, despite--as held above--having no obligation to do so under the Berne Convention.

In support of its argument, the Government proffers evidence of the economic impact caused by foreign piracy of copyrighted United States works. The Government's evidence, however, focuses on the prior reluctance of foreign nations to protect American works unless the

16

United States implemented Article 18 of the Berne Convention. The Government proffers no evidence showing how suppression of reliance parties' First Amendment rights will lead to suppression of reliance parties' rights in foreign nations, or how such suppression will provide a "direct and material" benefit to United States authors. See Turner I, 512 U.S. at 664.

The Supreme Court teaches that--while Congress's predictive judgments are entitled to substantial deference--a court must "assure that, in formulating its judgments, Congress has drawn reasonable inferences based on substantial evidence." See id. at 66566. When Congress "trench[es] on first amendment interests, even incidentally, the government must be able to adduce either empirical support or at least sound reasoning on behalf of its measures." See id. at 666 (quoting Century Commc'ns Corp. v. FCC, 835 F.2d 292, 304 (D.C. Cir. 1987)). This requires an analysis of evidence speaking to the precise question at issue. See id. at 66667. Without the benefit of specific factual data supporting Congress's reasoning, a court "cannot determine whether the threat is real enough" to constitute an important Government interest, or whether the remedy chosen is sufficiently narrow to overcome a First Amendment challenge. See id. at 66567.

In order to properly pursue a motion for summary judgment, the Government "bears the initial responsibility of informing the district court of the basis for its motion, and identifying those portions of 'the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any,' which it believes demonstrate the absence of a genuine issue of material fact." Celotex, 477 U.S. at 323. The Government's evidence is inadequate to meet this initial threshold inquiry. Accordingly--as the evidence presented is inadequate to support the Government's motion in the first instance--summary judgment in favor of the Government

17

on this issue is inappropriate. See id.

Denial of the Government's summary judgment motion on this issue does not necessarily require me to grant Plaintiffs' cross-motion on the same question. See Atlantic Richfield Co., 226 F.3d at 1148. Plaintiffs are still required to point to evidence they believe demonstrates the absence of a genuine issue of material fact. See Celotex, 477 U.S. at 323. Plaintiffs meet this threshold inquiry by their proffer of testimony before Congress speaking to the precise issue raised--testimony that stated suppression of reliance parties' First Amendment rights in the United States was unlikely to lead to suppression of foreign reliance parties' rights as they concern United States works in foreign nations. See Memorandum of Points and Authorities in Support of Plaintiffs' Motion for Summary Judgment, Part III.B.2[Docket # 150].

Although the Government had the opportunity to present evidence that was contrary to Plaintiffs' supported position, it did not do so. I therefore assume, for purposes of Plaintiffs' motion, that no such evidence exists. See Atlantic Richfield Co., 226 F.3d at 1148. As the burden remains on the Government to present specific evidence showing it has a significant interest that is protected by limiting Plaintiffs' speech and that Section 514 does not burden substantially more speech than necessary to further the Government's interest, the Government's failure to muster such evidence shows no question of material fact remains to be determined on this issue. See Turner I, 512 U.S. at 66465; Celotex, 477 U.S. at 323; Matsushita Elec. Indus. Co., 475 U.S. at 587. Summary judgment in Plaintiffs' favor on this issue is therefore appropriate.

C. Correction of Historic Inequities

The Government's third proffered justification is that Section 514 "serves an important

18

equitable interest--the restoration of copyright protection to authors of foreign origin who lost their United States copyrights through no fault of their own, either because they failed to comply with United States copyright formalities, or because the United States did not have copyright relations with their nations at the time they created their works."

Although neither party argues this point in any detail, the amicus brief filed in support of the Government's position [Docket # 152] concedes an important point raised by Plaintiffs--namely, that Section 514 extends protections to foreign authors that are not afforded United States authors, even in their own country. Rather than correct an historic inequity, Section 514 appears to create an inequity where one formerly did not exist. The Government proffers no evidence showing how granting foreign authors copyrights in the United States--yet denying similar protections to United States authors--could constitute an important Government interest. Indeed, this rationale appears inconsistent with the Government's overarching argument that restoring copyrights to foreign authors is an important Government interest for the simple reason that it will afford United States authors more copyright protection. As Plaintiffs' position remains unrebutted by the Government, summary judgment in Plaintiffs' favor is also appropriate on this issue.

V. CONCLUSION

Congress has a legitimate interest in complying with the terms of the Berne Convention. The Berne Convention, however, affords each member nation discretion to restore the copyrights of foreign authors in a manner consistent with that member nation's own body of copyright law. In the United States, that body of law includes the bedrock principle that works in the public domain remain in the public domain. Removing works from the public domain violated

19

Plaintiffs' vested First Amendment interests. In light of the discretion afforded it by the Berne Convention, Congress could have complied with the Convention without interfering with Plaintiffs' protected speech. Accordingly--to the extent Section 514 suppresses the right of reliance parties to use works they exploited while the works were in the public domain--Section 514 is substantially broader than necessary to achieve the Government's interest.

On the basis of the record before the Court, I conclude no evidence exists showing whether the Government's two additional justifications for implementing Section 514--Section 514 helps protect the copyright interests of United States authors abroad; and Section 514 corrects for historic inequities wrought on foreign authors who lost their United States copyrights through no fault of their own--constitute important Government interests, or whether Section 514 is narrowly tailored to meet those interests.

Accordingly, the Government's motion [Docket # 147] is DENIED; Plaintiffs' motion [Docket # 148] is GRANTED.

Dated: April 3 , 2009.

BY THE COURT:

s/Lewis T. Babcock
Lewis T. Babcock, Judge

20


  


US District Court: Restoration of Copyright in Public Domain Foreign Works Is Unconstitutional - Updated | 178 comments | Create New Account
Comments belong to whoever posts them. Please notify us of inappropriate comments.
Corrections Here Please
Authored by: sproggit on Monday, April 06 2009 @ 01:26 AM EDT
Please put a summary of the correction in the title to your post, i.e.

erorrs -> errors

[ Reply to This | # ]

Newspicks
Authored by: sproggit on Monday, April 06 2009 @ 01:28 AM EDT
The Newspicks thread. When starting a new sub-thread, please indicate the
newspicks article in the title of your post.

[ Reply to This | # ]

Off-Topic
Authored by: sproggit on Monday, April 06 2009 @ 01:30 AM EDT
The Off-Topic Thread... for anything outside the scope of this article.

[ Reply to This | # ]

I always knew that Copyright is a form of censorship
Authored by: Winter on Monday, April 06 2009 @ 01:43 AM EDT
It really is censorship!

Copyright does restrict what you can and cannot "say" (sing, paint,
photograph) in the widest sense.

Just as in libel laws, there might be very good reasons to restrict "free
speech" to "promote the Progress of Science and useful Arts". But
copyright laws are still censors laws.
(and just as libel and trademark laws, copyright is occasionally used to block
political opponents from expressing their opinion)

Good to see there are legal minds agreeing with this opinion.

Rob

---
Some say the sun rises in the east, some say it rises in the west; the truth
lies probably somewhere in between.

[ Reply to This | # ]

Unconstitutional Laws
Authored by: sproggit on Monday, April 06 2009 @ 01:50 AM EDT
Being neither a US Citizen, nor a Lawyer, means that most of the subtleties of
copyright and patent law can often be a struggle to grasp. Even so, this article
raises a question in my mind about the relationship that laws similar to this
has on the dynamic between corporations and individuals.

It's probably sheer coincidence, but in my awareness, when we started to see the
phrase 'Microsoft Tax' coined in reference to the bundling of Windows with new
PCs, so there came a proliferation of examples of large corporations using the
law to drive their business strategy.

The MPAA and RIAA began clandestine spying operations on private citizens -
using un-licensed private investigators. The SCO Group began a legal case
against IBM despite being told by a paid contractor that there was no evidence
of infringement. The 'auto industry' and 'aviation industry' and 'defense
industry' and '{you name it} industry' all seem to have lobby groups, not just
in Washington D.C., but in many other national capitals the world over.

The balance of rights and freedoms, across the world, seem to be slowly slipping
away from private citizens and into the hands of large, multinational
corporations. A really good example of something that illustrates this point can
be found in the budget statements of individual national governments across the
Western World. Track back for the last 15 years and see how much tax revenue has
been raised by corporations and how much has come from private individuals. Then
cross-reference that with both the national population and the profits recorded
by the largest companies. In every case you will find that corporations are
paying less and less tax and more and more of the burden is being picked up by
the "Average Joe" on the street.


We all understand that the way to address an imbalance in the law is to approach
the lawmakers, elected officials who have that constitutional duty to [ in the
case of the U.S. ] provide a government "of the people and for the
people" [or something similar!]. But what happens when the "price of
entry" into that legal framework is too expensive?

How do you get past the inevitable situation when the goals of private
individuals with zero lobby budget run contrary to those of big business who
have huge lobbying budgets?

I ask because several of the topics that Groklaw has covered - and it's
wonderful to see that PJ does - seem to be examples where "Common
Sense" and the Law have parted company... and in many of those cases there
appears to be a business interest involved somewhere.

It's a very weird situation...

[ Reply to This | # ]

A question
Authored by: Anonymous on Monday, April 06 2009 @ 02:40 AM EDT

According to the Constitution: Congress may "promote the Progress of Science and useful Arts, by securing for limited Times to Authors..."

For those works in the public domain which got put back into copyright, who exactly got the copyright? Obviously not the authors, nearly all of whom were dead. Then who? Their estates? But their estates were long since probated and the heirs in many cases are dead as well.

Or some publishing corporations that bribed politicians with campaign contributions? I'd like to know.

[ Reply to This | # ]

Limited validity
Authored by: Anonymous on Monday, April 06 2009 @ 02:49 AM EDT

The US Constitution may trump treaties within the USA, but it doesn't have any effect on laws in the other 93% of the world. If you travel to any other country (Canada?) carrying a copy of a work which this decision has restored to the public domain in the USA, the customs authorities of the other country are entitled to confiscate it at the border.

[ Reply to This | # ]

This is good news?
Authored by: Anonymous on Monday, April 06 2009 @ 03:02 AM EDT
So let me see if I understand the essence of this ruling.

1. The US government DOES have the right to reinstate copyright protection on
works which have fallen into the public domain.

2. After such a copyright is reinstated, those who have relied on the public
domain right to reproduce and reference a work in excess of normal "fair
use" retain a special right to do so to the extent that they relied upon
this right at the time.

Please excuse me if I fail to dance for joy at this news. It's nice to know that
one probably can't get sued (at least not successfully) for copyright
infringement retroactively when copyright is reinstated, or be enjoined from
continued publication of a derivative work on that basis, but if this is the
best news we've had in a long time, it shows how sad the landscape really is.

The plunder of the public domain for corporate gain continues unabated, and the
promotion of science and the useful arts need not enter into it in any practical
sense.

[ Reply to This | # ]

Examples?
Authored by: Anonymous on Monday, April 06 2009 @ 03:07 AM EDT
Are there any examples of what works are affected? I read a number of the links,
but they only talked about the decision in a very general sense. Are there any
well known books, films, musical recordings, etc. covered by this?

This question isn't just one of idle curiosity. So far as other countries are
concerned, they signed a treaty with the US. The US has been the main country
behind the big "IP" expansion treaties. If the US can't deliver on its
promises, then why should anyone else have to?

If all of the affected works are insignificant, then it's possible that nobody
is going to raise a fuss over them. If there are some really significant works
though, then this might throw a spanner into WIPO's works.

[ Reply to This | # ]

Extensions of copyright term
Authored by: Anonymous on Monday, April 06 2009 @ 07:53 AM EDT
"Once a work enters the public domain, it should stay in the public
domain". What a very sensible principle that would be, and what a pity
that legislatures seek to override it.

A brief note on the position here in the UK may be of interest. Here, we are
suffering from attempts to extend the period of copyright. It has already
happened for some classes of works, for which the term has been extended from
life-plus-50 to life-plus-70. Crazily, this was backdated, resulting in some
works, for which copyright had expired and which had entered the public domain,
going back into copyright again.

A very significant example was James Joyce's "Ulysses". Joyce died in
1941, so the copyright in Ulysses ran until 1991, when it first expired and it
entered the public domain.
However a change in our law in 1996 resulted in it going BACK INTO copyright
until 2011, resulting in a remarkable free windfall for Joyce's descendants and
a problem for everyone else.

The result may be seen from the decision in "Sweeney v Macmillan", at
http://www.bailii.org/ew/cases/EWHC/Ch/2001/460.html.
(The change in the law which caused the problem is summarised at para 4; the
consequences for those seeking in good faith to bring out a new edition without
interference from the beneficiaries are apparent from the rest of the
judgment).

I am mystified by the reasons for copyright extension, for which there seems to
be no objective justification:
- I very much doubt that an extra 20 years, far into the future after their
deaths, will motivate any current creative artists to produce any more work
today than they would have done anyway.
- And the purpose of backdating an extended copyright to existing works, all
the more so for works for which the original term has fully run and has expired,
is still less apparent: gratuitously adding an extra 20 years to
"Ulysses" long after his death is certainly not now going to motivate
the late James Joyce to write any more works.

Granting monopolies can in principle be beneficial, where they support and
encourage intellectual creativity, but always needs to be justified.
Giving away extensions of monopolies, at the behest of vested commercial
interests seeking a windfall (would they still be so interested if the extension
was not backdated to pre-existing works?), is in substance just a further tax on
the public and appears to serve no useful social purpose.

[ Reply to This | # ]

Why is this a "very big deal"?
Authored by: Anonymous on Monday, April 06 2009 @ 09:56 AM EDT
If I'm reading this right, then an attempt to correct a wrong whereby foreign
works were released into the public domain prematurely, due apparently to the US
not signing up to various international rules until 1988, has itself created a
further wrong, in that works already released into the public domain were
re-copyrighted, thereby somehow removing someone's 1st amendment rights.

Well, OK, perhaps the "correction" went too far, and has now been
overturned, but I honestly don't see why this is a big deal.

I thought in general the Groklaw ethic was that patents are evil, and that
copyright is sufficient protection for any written works, like software. So why
the jubilation at copyrights being overturned?

Is this something that we in the UK simply don't get?

[ Reply to This | # ]

Ex Post Facto, anyone?
Authored by: red floyd on Monday, April 06 2009 @ 10:03 AM EDT
Seems to me that the "restoration" of copyright to works that have fallen into the public domain would be a case of ex post facto.

i.e. When you made your derivative work, it was legal, because the original was in the public domain, but it's an illegal copy now.

---
I am not merely a "consumer" or a "taxpayer". I am a *CITIZEN* of the United States of America.

[ Reply to This | # ]

If copyrights can be reserected from the dead...
Authored by: kozmcrae on Monday, April 06 2009 @ 11:29 AM EDT
Why would they be allowed to die in the first place? That's a dangerous
question. I'm relieved to know that zombie copyrights have been put back in
their grave for now.

---
It all started with Lynda Carter playing Wonder Woman in the '70s. Now I'm a
Heroine addict.

[ Reply to This | # ]

I wonder how this will alter A.C.T.A. negotiations?
Authored by: Anonymous on Monday, April 06 2009 @ 12:20 PM EDT
The triple top secrets A.C.T.A. must be getting close to being finalized - what
will the industrial content lobbyists do?

[ Reply to This | # ]

Treaties cant supercede Constitution
Authored by: bsaxberg on Monday, April 06 2009 @ 02:05 PM EDT
Interesting, if this holds up does this mean we need to go back and review all
our treaties to see what else is unconstitutional?

[ Reply to This | # ]

Project Gutenberg
Authored by: tqft on Monday, April 06 2009 @ 06:45 PM EDT
Will this affect the ability of Project Gutenberg to deliver works to those in
the US?

I know there are (were?) various limitations on what could be served up where
due to copyright anomalies.

---
anyone got a job good in Brisbane Australia for a problem solver? Currently
under employed in one job.

[ Reply to This | # ]

On Treaties Trumping the Constitution
Authored by: dio gratia on Monday, April 06 2009 @ 09:42 PM EDT
Just so you are aware, there have been various harbingers floating the notion of treaty supremacy (over the U.S. Constitution) in the last several decades. In Section 17 Amendment by Treaty of The Paradox of Self-Amendment: A Study of Law, Logic, Omnipotence, and Change we find:
But it is the relation of treaties to constitutional rules that is most intriguing. The supremacy clause was almost certainly intended to make the federal constitution, statutes, and treaties superior to state law without asserting either their equality or subordination to one another. Hence it is not clear from the constitution alone whether treaties are higher, lower, or co-supreme with the constitution. Because federal statutes are clearly lower than the constitution, literal co-supremacy for all three types of law has not been read into the clause. The courts are left, then, to decide whether in a standoff between a provision and a conflicting treaty, the constitution is impliedly amended pro tanto by the treaty, or the treaty is impliedly amended (or suspended) pro tanto by the constitution.
I don't personally subscribe to the notion because Article V of the U.S. Constitution describes the amendment process and doesn't include implied changes incurred by treaty obligation. I do find it worrisome that someone would actually float the notion and then we see follow up of a flurry of rights limiting treaties. You could note that the power to enter into treaties is given in Article II as a power of the executive branch. Article V reserves the right to amend the Constitution to Congress or the States Legislatures by calling for a convention.

It's certainly refreshing to see the courts are not attempting to show the Constitution as being 'impliedly amended'.

[ Reply to This | # ]

Is the public domain now a static list?
Authored by: Anonymous on Tuesday, April 07 2009 @ 07:35 AM EDT
So basically, we can't remove stuff from the public domain anymore. But, we
can't add to it either, since extensions are now a tradition and can be expected
to happen automatically.

So, two questions:

- Is the US public domain now closed? (How ironic...)

- Is there still a point of defining copyright timeouts? Wouldn't it be
simplier and less hypocritical to just grant unlimited rights, since no lawmaker
seems to care about the original point of having copyrights (incitations to
creation)?

[ Reply to This | # ]

Using treaties to get around the constitution.
Authored by: Anonymous on Tuesday, April 07 2009 @ 10:45 AM EDT
I just hope that if they do take it all the way to SCOTUS that they don't forget
to argue that no agreement with a foreign entity trumps our constitutional
rights here in the US.

[ Reply to This | # ]

Bad article really
Authored by: Anonymous on Wednesday, April 08 2009 @ 01:26 PM EDT
Why would they need to erode public domain further
95 years after the life of an author is so outlandish and retarded it will never
be of any use to anyone in 2 life times

THAT'S the fact. ITS gone so far to creators that its now starting to affect the
economy so bad that no one wants to innovate OR do jack with anything and if you
do your a pirate OH NO.

GOD forbid i make or someone makes something worthy cause we saw that spark in
something someone else started on.

YOU LOSE planet earth. When they reduce copyright to manageable terms like say 5
-8 years for software and 10 for everything else then we can and will see a
glorious time on earth and authors won't be sitting on there buts in mansions on
the hill. THEY will have to keep at it.

[ Reply to This | # ]

Groklaw © Copyright 2003-2013 Pamela Jones.
All trademarks and copyrights on this page are owned by their respective owners.
Comments are owned by the individual posters.

PJ's articles are licensed under a Creative Commons License. ( Details )